Entertainment

From boardrooms to film sets, O Womaniya! 2022 study reveals the state of female representation in Indian films and digital series

Spearheaded by Ormax Media and Film Companion and supported by Prime Video, the report witnessed industry-wide collaboration from multiple entities, including bodies like the Producers Guild of India and Active Telugu Film Producers Guild, streaming services like hoichoi, SonyLIV, Voot, and ZEE5, along with film leading film studios like Clean Slate Filmz, Dharma Productions, Emmay Entertainment, Excel Entertainment, Purple Pebble Pictures, RSVP and Sikhya Entertainment

From The report analyzed 150 theatrical films, streaming films, and series released in 2021 across 8 Indian languages. Findings indicate only 10% representation of women in senior roles behind the camera, as well as in corporate leadership.

Women in decision-making roles hired more women. The number of women hired to lead departments doubled when the film or series was commissioned by a woman.

Women saw a significantly lower share of talk time in promotional assets, such as trailers, with men out-speaking women by a ratio of 3:1

Streaming films and series outperformed theatrical films across all parameters, with higher contribution and representation of women on and off-screen

Media consulting firm Ormax Media and entertainment platform Film Companion today released O Womaniya! 2022,From the most definitive report on female representation in Indian entertainment. The report is supported by Prime Video, India’s most loved entertainment hub. The report highlights the on-screen and off-screen representation of women by analyzing 150 theatrical films, streaming films, and series released in 2021 across 8 Indian languages (Hindi, Telugu, Tamil, Malayalam, Kannada, Punjabi, Bengali, and Gujarati). First, the report received collaboration from multiple entities within the media and entertainment industry. This includes industry bodies like the Producers Guild of India and Active Telugu Film Producers Guild, streaming services like hoichoi, SonyLIV, Voot, and ZEE5, along with film leading film studios like Clean Slate Filmz, Dharma Productions, Emmay Entertainment, Excel Entertainment, Purple Pebble Pictures, RSVP and Sikhya Entertainment.

The report studied the representation and participation of women From three major categories – ‘content’ that included female representation on-screen and behind-the-camera, ‘marketing’ that studied female representation in promotional trailers of films and series, and ‘corporate’ that analyzed female representation in board rooms of top 25 media and entertainment firms. Key findings of the report include:

Low representation off-screen: Women have low representation behind the camera, with only 10% of head of the department (HOD) positions across key divisions (production design, writing, editing, direction, and cinematography) held by women. Out of the 56 theatrical films analyzed across languages, not even one was directed or edited by a woman. Even in media and entertainment corporate houses that are at the center of decision-making, only 10% of senior leadership roles were held by women, having a cascading effect on inclusivity through the production and execution chain. Low representation on-screen: Only 55% of the films and series passed the Bechdel Test1. Even in promotional trailers analyzed through the Trailer Talk Time Test2, women had only 25% talk time with 48 titles, even allocating 10 seconds or less to female characters. Women hire more women: The percentage of female HODs doubled when a woman greenlit a series or a film. Similarly, a higher percentage of films passed the Bechdel Test (68%), and women had higher trailer talk time (35%) if the title was commissioned by a woman.

From Streaming is driving the change: Streaming films and series performed better than theatrical films across all parameters indicating the change the sector is ushering in representation on and off-screen. For instance, the representation of female HODs in streaming films and series was five times higher than in theatrical films. Similarly, 64% of streaming series and 55% of streaming films passed the Bechdel Test, as opposed to more than half of theatrical films failing it. Likewise, streaming films and series provided more talk time to female characters in trailers, leading theatrical films by ten percentage points and 14 percentage points, respectively.

“While it’s no surprise that female representation in mainstream entertainment is low, the degree of skew, such as 10:90 on some key parameters, should be a wake-up call. While streaming titles, especially series, are more women-inclusive in on and off-screen representation, theatrical films continue to perform very poorly and, in fact, have shown no positive growth at all since the previous report, which covered content released in 2019 & 2020. We hope that this report serves as a starting point for the industry to come together and discuss ways to address the evident imbalance.”

Shailesh Kapoor, Founder-CEO, Ormax Media,

“Data is essential to understanding how drastically skewed the gender equation in the Indian film industry is. O Womaniya! provides us with the starting point for discussion and debate. Starting out as an effort by Ormax Media and Film Companion, the initiative has now found resonance with the entire industry. The support that we have received from film bodies, streaming services, and studios is heartening. We will continue to build this momentum and hopefully lead the way to change.”

Anupama Chopra, Founder & Editor, Film Companion,
Talking about the significance of the report, Aparna Purohit, Head of India Originals, Prime Video, said, “While there have been improvements in female representation in Indian entertainment, there hasn’t been any data-backed report in India that can hold a mirror up to the current reality. O Womaniya! 2022 fills the much-needed gap with its rich insights. We are thrilled to join hands with Ormax Media and Film Companion on an initiative that is in sync with our philosophy on equitable representation. The report serves as a good starting point to initiate discussions on the need to involve more women, particularly in decision-making roles, as that has a ripple effect on inclusivity in the entire ecosystem. Change has to be persistent and intentional, and we need to take constant steps to improve these numbers year after year.”
Elaborating on the role of streaming in improving female representation, she added, “Streaming services have certainly opened the doors for more inclusive storytelling that provides greater opportunities to women. Streaming has given voice to more female storytellers resulting in an increase in stories that are driven by female characters with agency. At Prime Video, we have rolled out an inclusion policy playbook that has institutionalized certain guidelines to ensure just female representation on and off-screen. These range from mandatory female representation in writers’ rooms and evaluating every script on specific parameters. I am certain that streaming is going to further lead the charge on diversity, equity, and inclusivity in Indian entertainment.”
O Womaniya! 2022 was also supported by actor Vidya Balan, who, over the last 17 years, has led and furthered the mandate on female-led stories across theatrical and streaming films like The Dirty Picture, Kahaani, Tumhari Sulu, Shakuntala Devi, Sherni, Jalsa, and more.
Reacting to the findings shared in the report, Vidya Balan said, “As an actor, I have noticed the change in female representation in films in the last decade and a half. From seeing just a handful of women on sets to now having women lead film-making by taking charge of direction, editing, and other key departments, we have come a long way. While this change has been underway for a while, it’s now become stronger with streaming services that have introduced the much-needed diversity in storytelling and on sets. However, the report indicates that we still have a lot of ground to cover.
And this can only happen when we have more women in the boardrooms, prompting change right at the heart of decision-making. As female actors in positions of influence, we need to push for more female representation behind the camera in order to have more sensitive, authentic, and relatable representation in front of it too. I am glad to be associated with the report and commend Ormax Media, Film Companion, Prime Video, and all other entities for taking a step toward documenting female representation in Indian entertainment. We now need to move the needle from intention to action and work towards minimizing and disrupting biases.”
Sunitha Rangaswami, an independent consultant on gender and women’s economic empowerment, provided counsel on making the Indian entertainment industry more inclusive for women. Her recommendations can be found here – https://owomaniya.org/#gender-expert
Read the entire report here – www.owomaniya.org.
1 The Bechdel Test, conceptualized by Alison Bechdel in 1985, is seen as an internationally-accepted yardstick on gender representation in content. A film is considered to have passed the Bechdel Test if it has at least one scene in which two named women are speaking, and the conversation is about something other than men/ a man. For streaming series, the criterion was modified to include three scenes, given their longer runtime.
2 Trailer Talk Time is a test created exclusively for O Womaniya! In this test, the main trailer of the film or series is analyzed and classified by the speaking time allotted to the male and female characters. The test reports % the speaking time that was owned by female characters. The test gives an insight into how producers and platforms are marketing content. With 75% of trailer talk time being controlled by male characters, the results suggest that properties are being pitched from a male POV in their marketing.
This article was shared with Prittle Prattle News as a Press Release.
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